Pale Blue Dot, 100 x 150 cm, oil on canvas, 2023

‘Four legs good, two legs bad’, 30 × 35 × 100 cm, TV aerial, silicone, epoxy clay, acrylic, aluminium wire, 2023

User Interface, 50 x 106 x 4 cm, oil on canvas and aluminium, 2023

Enigma Machine, 18 x 33 x 90 cm, resin, silicone, acrylic, alcohol ink, butterfly cannula, 2023

Exposé, 71 x 101 cm, oil on canvas, 2023

REM, 100 x 100 cm, oil on canvas, 2023

Sulphur, Mercury, and Salt, 90 x 60 cm, oil on canvas, 2022

Möbius Strip, 90 x 90 cm, oil on canvas, 2022

The Emerald Tablet, 140 x 170 cm, oil on canvas, 2022

Hyperwebster, 40 x 60 cm, oil on canvas, 2022

Down is Up, 40 x 60 cm, oil on canvas, 2022

Deceleration Chamber

Eternity’s Springboard

https://brooklynrail.org/2022/04/artseen/Yi-To-Where-the-pebble-hits-the-water

Humming Fluid

A Raw Nerve

Semi-permanent Thin Spot

Glyph

Archaic Wiring

Pocket Microscope

The Backbone of a History of Rewriting History

> Where the pebble hits the water, Someday Gallery

Bootstrap Paradox, 120 x 150 cm, oil on canvas, 2021

> Entrainment, Someday Gallery

Ripples, 70 x 90cm, oil on canvas

Pattern Buffer, 120 x 190 cm, oil on canvas, 2021

Incision I, 30 x 42 cm, oil on cement, 2021

Reciprocal Topography, 140 x 190 cm, oil on canvas, 2021

Umbilical, 70 x 100 cm, oil on canvas, 2021

Continuum, 47 x 47 cm, Oil on cement, 2021

Resonance Windows, 18 x 25 cm each, oil on cement

Overtones, 40 x 40 cm, oil on canvas, 2021

Cosmic Temporal Freight Train, 80 x 80 cm, oil on canvas, 2020

The Geography of Nothingness, 140 x 170 cm, oil on canvas, 2020

Yi To

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